Selected weddings, installations and tables.

Each one began with the same question: what should this moment feel like?

The Heritage House

Wedding installation · Heritage house

Carved timber screens, gilded panels and a century of patina. We didn’t want to compete with the architecture — we wanted to answer it. Pampas in deep magenta gathered at the base of the screens as if it had grown there, with points of yellow catching the light from the courtyard. Guests walked through it rather than past it.

Materials — Pampas, craspedia, fern, palm

Blush by the Water

Wedding · Waterfront reception

A room of glass facing the sea, and a couple who wanted it soft rather than grand. An arch of roses and trailing foliage framed the vows; the tables carried the same palette lower and closer, so the colour moved through the room with the guests.

Materials — Roses, soft white flowers, trailing foliage, candlelight

Table Studies

Tablescape Theory · Selected dinners

Long tables, low light, stems set slightly off-centre so conversation can cross them. Tall allium and wild stems rise in clear glass; nearer the plates, warmer heads sit low on bare timber. A table should feel gathered, not arranged.

Materials — Allium, gerbera, chrysanthemum, wild stems, clear glass, timber

More from the studio

Bridal florals, installations and the details in between.

Have a space in mind? Tell us how it should feel.

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